Showing posts with label David Sanchez. Show all posts
Showing posts with label David Sanchez. Show all posts

Monday, November 21, 2011

Arturo Sandoval: I Remember Clifford (1992)

I Remember Clifford is a 1992 album by Arturo Sandoval, the second album he made after fleeing from his native Cuba.
The entire album is a tribute to Clifford Brown, who was a great influence on Sandoval; Brown was an influential, highly-rated and much-loved jazz trumpeter who died in an auto accident in 1956, when he was only 25 years old.
The album is named for Clifford Brown who was killed on June 26, 1956 in a car accident which also killed pianist Richie Powell, the younger brother of Bud Powell.
Sandoval's written tribute to Brown in the liner notes for the album ends:
 Everybody that I've spoken to, who knew Brownie, coincided in describing his heart and his simplicity as an artist. Modesty, feelings, dignity and virtuosity; not a bad legacy. ... It is with all my heart and soul that I offer this sincere effort to one of the greatest trumpet players of all time; a man who left his mark as a person and as an artist. It is named after a threnody written by Benny Golson, I Remember Clifford, also written in memory of Brown.
In addition to an especially poignant rendition of the Golson piece (using only a trumpet and piano - a pointed tribute to the two musicians who died together), the album contains a long list of Clifford's best-known standards (some composed by Brown himself). One final inclusion is a new composition, I Left This Space For You, written by Sandoval in tribute, in which Sandoval plays only a restrained melody, leaving "this space for him" (in Sandoval's words). One very unusual feature, heard on five of the tracks, is the use of overdubbing to create a trumpet 'choir' of four harmonized trumpets, all played by Sandoval (a concept credited to Orlando 'Papito' Hernández, who had experience with multiple trumpets from his time playing with Herb Alpert). The 'choir' is used to play arrangements of some of Brown's own brilliant original solos; the different trumpet lines are so closely synchronized it is hard to believe they were not reproduced electronically. Sandoval's own phenomenal playing features in his own solos, especially on "Cherokee", which he takes at a pace a hair faster than Brown's own impossibly-fast original.
The album received two nominations in the 1992 Grammy Awards ('Best Jazz Instrumental Performance - Individual or Group', and 'Best Arrangement on an Instrumental', for Cherokee). It was picked by critic Leonard Feather as one of the ten best jazz albums of 1992.
Tracklist:
1 Daahoud 4:57
2 Joy Spring 5:42
3. Parisian Thoroughfare 5:58
4. Cherokee 5:09
5. I Remember Clifford 4:12
6. The Blues Walk 6:47
7. Sandu 5:19
8. I Get A Kick Out Of You 5:13
9. Jordu 8:27
10. Caravan 4:28
11. I Left This Space For You 5:51
Personnel:
Arturo Sandoval, Trumpet
Kenny Kirkland, Piano
Charnett Moffett, Bass
Kenny Washington, drums
Ernie Watts, Tenor Saxophone (tracks 1, 4, 7, 9, 10)
David Sánchez, Tenor saxophone (tracks 3, 6, 8)
Ed Calle, Tenor Saxophone (track 2)
Félix Gómez, Keyboards (track 5)
Gary Lindsay, Arrangements (except on track 9)
Alberto Naranjo, Arrangement on Jordu
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Tuesday, August 9, 2011

Stefon Harris, David Sanchez, Christian Scott: Ninety Miles (2011)

This album is a collaboration between vibraphonist Stefon Harris, trumpeter Christian Scott, and tenor saxophonist David Sanchez, recorded in Havana with Cuban musicians, including pianists Rember Duharte and Harold Lopez-Nussa. It's not a Latin jazz album, though; these guys are primarily interested in moving classic hard bop into the future with infusions of hip-hop sensibility and groove, and that aesthetic permeates Ninety Miles, though there are occasional keyboard montunos and plenty of conga-driven rhythms to be heard, particularly on the album's peak, the hard Afro-Cuban/New Orleans funk workout "Congo." In a way, Ninety Miles is a puzzling album, because it doesn't seem to be making any explicit political statement; it's about the artistry, and nothing more. Christian Scott is a blazing young trumpeter in the Clifford Brown mold; Stefon Harris, who came up under Greg Osby, is keenly aware of the vibes' traditional position within jazz, and makes the most of that; David Sanchez is a powerful saxophonist with a flair for melody over muscle-flexing displays of lung power. And that's all they really want you to take away from this album. It's a blowing session that just happens to have been recorded in Cuba, with Cuban musicians backing them. Which, in its way, is a political statement, if an oblique one. But the album is well worth hearing on purely musical grounds.
by Phil Freeman
Tracklist:
01. Nengueleru (Duharte) 5:04
02. E'cha (Torres) 4:17
03. City Sunrise (Sanchez) 6:47
04. The Forgotten Ones (Sanchez) 3:53
05. Black Action Figure (Harris)6:21
06. Congo (Duharte) 6:30
07. And This Too Shall Pass (Harris) 9:28
08. Brown Belle Blues (Harris) 5:00
09. La Fiesta Va (Torres) 5:46
Personnel:
Vibraphone – Stefon Harris
Tenor Saxophone – David Sanchez
Trumpet – Christian Scott
Tracks 1,6,8:
Piano, Vocals (6) – Rember Duharte (1,6,8)
Electric Bass – Osmar Salazar
Drums – Eduardo Barroetabena
Bata, Congas, Percussion – Jean Roberto San Miguel
Tracks 2,3,5,7,9
Piano - Harold Lopez-Nussa
Bass - Yandy Martinez Gonzalez
Drums – Ruy Adrain Lopea-Nussa
Congas, Djembe, Percussion, Bata (4) – Edgar Martinez Ochoa
Ninety Miles
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