Showing posts with label John Scofield. Show all posts
Showing posts with label John Scofield. Show all posts

Monday, November 7, 2011

Mesedski, Scofield, Martin, Wood: Live - In Case the World Changes its Mind (2011)

With significant pressure on artists to look for new territory to mine and new collaborations to explore, it’s always great to see those that have worked well kept as ongoing concerns, like guitarist John Scofield‘s first-encounter with jam band darlings Medeski, Martin & Wood on the superb A Go Go (Verve, 1998). The now-named Medeski Scofield Martin & Wood still reconvenes occasionally, with its follow-up, Out Louder (Indirecto, 2006), a more free-wheeling alternative to its predecessor’s focus on Scofield’s particularly fine writing. Five years later, In Case The World Changes Its Mind strikes the perfect balance between form and freedom. Recorded on tour in 2006, while some of the same songs also appear on the European double-disc version of Out Louder, they’re different versions. If that bonus, EP-length live disc gave fans a taste of MSMW in performance, then In Case The World Changes Its Mind is the real deal, its groove-laden, 115-minute set of 11 tunes equitably split between MSMW’s two studio discs, with an extended jam thrown in for good measure, along with a gospel-drenched version of “Amazing Grace.”
Scofield may be working his softer side lately on his relaxed A Moment’s Peace (EmArcy, 2011), but he’s in incendiary form here, in particular on a searing version of “Miles Behind,” where his wah-driven guitar goes head-to-head with John Medeski‘s grittily overdriven electric piano, bolstered by a nuclear groove from bassist Chris Wood and drummer Billy Martin that seems always on the edge of a precipice—threatening to dissolve into complete anarchy at times, but always pulled back from the brink at the last possible moment. Medeski’s piano also drives the greasier title track, though he mixes it up with a melodica in the front line with Scofield, who’s featured in an extended duo with the second line-informed Martin, the guitarist’s complex voicings and angular phrases leading to some visceral slide playing. Both these songs from Out Louder are considerably expanded in length here; exemplifying one of MSMW’s major MOs: taking ideas stemming from jams and turning them into tunes.
The material from A Go Go is given equal chance to expand, in particular the 11-minute set-closer, “Hottentot,” where Medeski’s swirling organ work is at its best, though his remarkable command over tone and texture—an analog fan’s wet dream—is a cornerstones throughout. A Go Go‘s title track is equally compelling, while a medley of that album’s “Deadzy” and Out Louder‘s “What Now” blends idiosyncrasy with straightforward boogie to great effect.
But the centerpiece of In Case The World Changes Its Mind is the 25-minute “Walter Hanuman,” starting with a sprawling N’awlins jam that takes its good time getting to the core of Out Louder‘s “Hanuman,” stretching inexorably towards a fiery climax, only to wind down with an extended outro defined by Medeski’s mad-scientist synth and Scofield’s reverse-attack loops. MSMW may only convene occasionally, but with MMW driving Scofield to places he’d never find otherwise, and the guitarist lending MMW a stronger compositional focus, it’s the perfect combination, with the whole of In Case The World Changes Its Mind clearly greater than the sum of its considerable parts.
Tracklist:
Disc 1:
1. A Go Go
2. Deadzy
3. What Now
4. Tootie Ma Is a Big Fine Thing
5. Cachaca
6. In Case the World Changes It’s Mind
7. Miles Behind
Disc 2:
1. Little Walter Rides Again
2. Hanuman
3. Amazing Grace
4. Southern Pacific
5. Hottentot
Personnel: John Medeski: keyboards; John Scofield: guitar; Billy Martin: basses; Chris Wood: drums, percussion.
===========
320K

Thursday, February 24, 2011

Dennis Chambers: Getting Even (1991)

Originally released in 1991, this hard-to-find Fusion recording is worth searching for. This session features the brilliant drumming of Dennis Chambers, who was just coming into his own at this stage of his career. The selections are fairly typical to the music Chambers was playing with John Scofield, who he uses here on a few tracks, along with another former employer, guitarist Mike Stern. The chemistry with Scofield, Stern, saxophonist Bob Berg and keyboardist Jim Beard is obvious as the three have worked together on several sessions. The temptation to overplay here is addressed by a strong dedication to the groove and by allowing each player ample space. Aside from Chambers' innovative and powerful drumming, the session's excitement is enhanced by the rousing playing of guitarist Jimi Tunnell. While this debut is not in the same class as Stratus (Billy Cobham) or Essence of Mystery (Alphonse Mouzoun), Dennis Chambers demonstrates why he is considered to be one of the most innovative and important players in the history of drumming. This debut is a fine representation of his playing, although fans are encouraged to seek out his extensive discography as a 'sideman' to appreciate his full contributions.
Tracklist:
1  Fortune Dance - Gatzen.Bob 5:54
2  The Opener - Herington 4:23
3  Keep Walking - Gatzen 6:11
4  Red Eyes - Gatzen 6:18
5  Getting Even - Herington 7:30
6  Window's Peak - Holzman 5:56
7  Boo - Soroka 5:55
8  Unitl We Return - Soroka 8:09
--------------
FileServe @ 320K

Wednesday, February 23, 2011

John Scofield: Works for Me (2000)

John Scofield describes the ensemble on WORKS FOR ME, made up of young jazz stars like alto saxophonist Kenny Garrett, pianist Brad Mehldau, and bassist Christian McBride, as his "one-time-only dream band." Anchoring it all, moreover, is the grand elder statesman Billy Higgins on drums. In honor of this talented company, or maybe because of it, Scofield returns to the straight-ahead swing style (albeit with a few trademark funky episodes), that he has periodically pursued throughout his career.
What works about WORKS is the expert meshing of the quintet, a combination of the talents of Scofield and his younger sidemen and Higgins's lush, unifying swing. The music is fresh and vibrant; each piece, be it ballad, bop, or blues, bristles with energy. Choice cuts include the crackling "Not You Again," the darker ballad "Love You Long Time," and the fittingly titled "Do I Crazy?" ”
Tracklist
01 - I'll Catch You
02 - Not You Again
03 - Big J
04 - Loose Canon
05 - Love You Long Time
06 - Hive
07 - Heel To Toe
08 - Do I Crazy?
09 - Mrs. Scofield's Waltz
10 - Six And Eight
11 - Freepie
Personnel
John Scofield - guitar
Kenny Garrett - alto saxophone
Brad Mehldau - piano
Christian McBride - bass
-------------------
FileServe @ 320K

Thursday, September 30, 2010

Metropole Orchestra • John Scofield • Vince Mendoza: 54 (2010)

The collaboration heard on 54 had its origins back in the 90's when Vince Mendoza asked John Scofield to play on his first album. John has since been featured on two of Vince’s records and his guitar sound and improvisational skills work well within Vince’s concept. When Mendoza assumed directorship of The Metropole Orchestra, he and Scofield decided to collaborate again with a primary focus on Mendoza’s arrangements of Scofield compositions as performed with The Metropole Orchestra.
"Vince is one of the most creative arrangers today and his sensibilities are perfect for my compositions," says Scofield. ''in addition to Vince’s arrangements, 54 features another pair of Scofield tunes transformed by likeminded arrangers Jim McNeely and Florian Ross. Two classic Mendoza compositions are included to complete the repertoire. ''I love playing in this lush setting. This orchestra is unique to any other I know of in its ability to play with a natural jazz feeling," says Scofield. "It’s a thrill to hear my tunes expanded by the orchestral arrangements and Vince’s tunes are modern masterpieces that I truly enjoy interpreting. The other soloists in the Orchestra are excellent as well."
Tracklist:
01. Carlos (John Scofield) [8:55]
02. Jung Parade (Vince Mendoza) [7:28]
03. Polo Towers (John Scofield) [6:49]
04. Honest I Do (John Scofield) [4:20]
05. Twang (John Scofield) [9:19]
06. Imaginary Time (John Scofield) [6:17]
07. Peculiar (John Scofield) [7:38]
08. Say We Did (Vince Mendoza) [8:22]
09. Out Of The City (John Scofield) [5:35]
Personnel:
John Scofield (guitar)
Vince Mendoza (conductor/arranger)
Metropole Orchestra
54
Hotfile / Uploading @ 320K

Tuesday, August 10, 2010

Mike Stern: Play (1999)

Mike Stern is a preeminent guitarist for two key reasons: One, he can play all styles very well and with equal command; and two, he plays very well with all other players. He always shows great respect for those with whom he is playing and gives them each the time and space to develop their musical ideas. Stern displays these two qualities in abundance on Play. Several notable guests join Stern and his core band for this release. Guitarists John Scofield and Bill Frisell and drummer Dennis Chambers each team with Stern on several tracks. If you enjoy straight-ahead jazz, listen to Stern and Scofield on the title track, or mix in Bob Malach's tenor sax on "Outta Town." If you like your guitar music slightly more spacious and lyrical, try Stern and Frisell on the hypnotic "Blue Tone" or the pensive "All Heart." Finally, if you want to turn up the heat and move into some rock/funk-influenced fusion, then check out the groovy "Tipatina's," the bold rocker "Link," or the intensely funky "Big Kids." It is no surprise, based on his other work, that Chambers, in particular, gives the band a kick in the musical pants inspiring bassist Lincoln Goines to enjoy the ride. Play is an outstanding guitar album from the highly accomplished and incredibly versatile Mike Stern. It is highly recommended.
Tracklist
1. Play (7:13)
2. Small World (5:24)
3. Outta Town (6:08)
4. Blue Tone (6:43)
5. Tipatina's (6:33)
6. All Heart (6:22)
7. Frizz (5:39)
8. Link (6:52)
9. Goin' Under (4:07)
10. Big Kids (7:27)
Play
Hotfile / Depositfiles @ 320K