Showing posts with label Paul Jackson Jr.. Show all posts
Showing posts with label Paul Jackson Jr.. Show all posts

Wednesday, October 5, 2011

George Benson: Guitar Man (2011)

Grammy-winning legend George Benson brings his guitar to the forefront in his newest album Guitar Man. The 12-song collection includes a mix of jazz and pop standards - some in a combo setting and some solo, but all of them tied together seamlessly by Benson's soulful and exploratory signature sound. Lending a hand on this recording is a solid team made up of veterans and newcomers alike - pianist Joe Sample, keyboardist and musical director David Garfield, bassist Ben Williams and drummer Harvey Mason. Williams is one of the hottest up-and-coming new artists on the jazz scene. Mason is a regular member of Fourplay, and a studio collaborator with Benson all the way back to Benson's 1976 blockbuster album, Breezin'.
In a career that spans five decades, more than 30 recordings as a leader and ten Grammy Awards, Benson has used his jazz roots as the foundation for an engaging mix of pop, R&B and other shades that add up to a style that appeals to a broad mainstream audience. Along the way, he has also established himself as a formidable jazz singer - one whose biggest career hits have showcased his vocals. But Guitar Man is just what the title implies - an album that highlights Benson's unparalleled guitar playing, perhaps more than any other album he has released in decades.
For the new project, the crew came together in the studio with a minimum of prior rehearsal time but an eagerness to jump in and lay down tracks in something very close to the live experience - what Benson describes as an "old school" approach. The impromptu sensibility comes across in the final product, much of which came together with minimal takes in a single day of recording.
"We figured that we would get the best energy if we went into the studio with some live musicians who are savvy and flexible," says Benson, "and boy, did we accomplish that." On Guitar Man, Benson's mastery of the guitar is demonstrated in a variety of styles and settings, all with legendary jazz roots. Benson has never been one to shy away from innovation or experimentation. For this guitar man, putting a jazz spin on pop standards - not just on this recording but throughout his career - is less of a taboo when you're willing to dispense with labels and the limitations that come with them. ~ amazon.com
Tracklist:
01. Tenderly [2:01]
02. I Want To Hold Your Hand [5:10]
03. My Cherie Amour [4:08]
04. Naima [3:41]
05. Tequila [4:31]
06. Don't Know Why [2:45]
07. The Lady In My Life [4:30]
08. My One And Only Love [3:24]
09. Paper Moon [2:44]
10. Danny Boy [3:26]
11. Since I Fell For You [2:58]
12. Fingerlero [3:40]
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Monday, February 14, 2011

Dan Siegel: ST (1982)

Smooth jazz keyboardist Dan Siegel has been helping to shape the genre since his recording debut in 1980. Born in Seattle and raised in Eugene, OR, Siegel started taking piano lessons at age eight and was fronting a rock band at 12. After attending the Berklee College of Music in Boston, he received a degree in composition from the University of Oregon and began recording his own works. Soon thereafter, well-known independent jazz label Inner City Records signed the young keyboardist, releasing 1980's Nite Ride, which featured guitarist Lee Ritenour. Siegel's second album for Inner City, 1981's The Hot Spot, was more successful and spent ten weeks in the Top Ten of Billboard's jazz chart. In 1983, he moved to Los Angeles to pursue film and television work, as well as a more active recording career.
Spending half of the decade composing TV and film scores as well as releasing several albums of varying interest, he signed with Epic in 1986 and began moving away from the ailing jazz fusion scene and into the adult contemporary jazz sound that he had been toying with all along. Highlights of this era include 1994's worldbeat-influenced Hemispheres and the urban-flavored Clairvoyance, released in 1998. Siegel spent the 1990s recording for a variety of labels, working with some of the bigger names in smooth jazz (Boney James, Larry Carlton, John Patitucci), and leading the hard bop combo Birds of a Feather. In 2000, Legacy Recordings released a greatest hits compilation called Along the Way: The Best of Dan Siegel.
Tracklist:
1. GREAT EXPECTATIONS
2. ENCHANTED FOREST
3. UPTOWN
4. SOARING
5. THE LONE RANGER
6. TOUCH AND GO
7. DESERTED BEACH
8. PASSING TIME
9. THE CONQUEROR
Personnel:
Paul Jackson Jr., Larry Carlton, Marlon McCLain: Guitar
Tom Scott, Jeff Homan: Saxophone
Tom Brown: Trumpet
Mark Hatch: Fluegel Horn
Rob Thomas, Abraham Laboriel: Bass
Moyes Lucas Jr., John Robinson: Drums
Lenny Castro: Percussion
Dan Siegel: Keyboards
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Thursday, September 16, 2010

Bob James & David Sanborn: Double Vision (1986)

David Sanborn's saxophone complements Bob James' keyboards perfectly on the appropriately titled DOUBLE VISION. Sanborn, James, and bassist Marcus Miller all contribute compositions, and the listener encounters a wonderful variety of musical styles throughout the album's seven tracks. DOUBLE VISION opens on its highest note with Miller's "Maputo," a lush and moody song that highlights Sanborn's skills and sets the pace for the rest of the recording.
Miller also penned the romantic "More than Friends". James and Sanborn join compositional forces on "Moon Tune" and "Never Enough." Sanborn contributes the popular "It's You," a tune that features James prominently. "Maputo" may be the DOUBLE VISION's instrumental highlight, but Al Jarreau's vocal on "Since I Fell for You" is the album's romantic peak. This 1986 collaboration ranks top among contemporary jazz albums.
Tracklist
01. Maputo
02. More Than Friends
03. Moon Tune
04. Since I Fell For You
05. It's You
06. Never Enough
07. You Don't Know Me
Personnel
Bob James - keyboards
David Sanborn - alto saxophone
Al Jarreau - vocal on track 4
Paul Milton Jackson, Jr. - guitar
Paulinho Da Costa - percussion
Marcus Miller - bass
Steve Gadd - drums
Eric Gale - guitar
Double Vision
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Wednesday, September 15, 2010

George Duke: Night After Night (1989)

George Duke says: "It took a few years before I was ready to record another CD. With the mediocre success of George Duke, I needed time to think about my musical direction. Also, I had many A&R meetings with Bob Krasnow about the direction for the project. I would try a few things, send them to him for his reaction, and so on and so forth. I had never been in that position before. By the way, that goes on in the biz everyday, but not to me!! I went along with the program since I knew that if this record didn't do well, that it was curtains for me at Elektra."
Tracklist:
01. Miss Wiggle
02. Children of the Night
03. Love Ballad
04. Guilty
05. Same Ole Love
06. Say Hello
07. You Are the Only One in My Life
08. Brazilian Coffee
09. This Lovin'
10. Mystery Eyes
11. 560 SL
12. Fuzzzion
13. Rise Up
Personnel:
George Duke - synclavier,TX 816,acoustic piano,D550,Super Jupiter,Mini Moog,Castlebar clavinet, lead and background vocals
Feddie"Ready" Washington - bass solos exept "Fuzzzion"
Byron Miller - bass on "Guilty"
Paul Jackson,Jr. - guitar
Stanley Clarke - bass on "Fuzzzion"
John Robinson - drums
Airto Moreira - percussion on "Fuzzzion"
Jerry Hey - trumpet
Gary Grant - trumpet
Bill Reichenbach - trombone
Larry Williams - tenor sax
Marc Russo - alto sax on "Guilty"
Rayford Griffin - drums on "560 SL","Fuzzzion"
Michael Landau - guitar on "560 SL"
Alphonso Johnson - fretless bass on "Fuzzzion"
Jean-Luc Ponty - violin on "Fuzzzion"
Michael Sembello - guitar on "Fuzzzion"
Vocals: Alexandra Brown, Lynn Davis, Howard Hewett, James Ingram, Josie James, Marcy Levy, Phil Perry, Carl Carwell, Joey Diggs, Johnny Gill, Natalie Jackson, Keith John, Jeffrey Osborne
Night After Night
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